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Request a screener →A half-hour comedy series following micro-influencer Brie and her three single roommates as they navigate love, friendship, sex, careers, and the city of Los Angeles during the height of social media.
Format — Half hour comedy series
Shot in — Horizontal & vertical formats
Status — Currently shopping to studios & brand partners
LA Comedy Film Festival
TV Screenwriting Winner
September 2024
Hollywood Just4Shorts Festival
Winner — Best TV Script
August 2024
Los Angeles Film Awards
Best Television Script
May 2024
Chicago Script Awards
Official Selection
October 2024
Cambridge Script Festival
Finalist
September 2024
New York Metropolitan Screenwriting Competition
Official Selection
September 2024
Marina del Rey Film Festival
Official Selection
June 2024
Bianca Roth
I created this show for one simple reason... to make something I wanted to re-watch. I have a wide array of genre tastes — thriller, action, drama, comedy (obviously). There are a multitude of modern shows that I love and am entertained by; however, once I'm done with the season, I never revisit the show.
The shows I go back to are Friends, Sex and the City, Girls, New Girl... you get it... all shows that have been wrapped for the last 5 years. I realized that we do not have a modern sitcom comfort show.
What makes a comfort show? I believe it has to do with the series structure. Being able to pick up from any episode in any season and become immersed in the world for 30 mins and not needing to know exactly what happened in the episode prior is what brings me back to a show over and over again. This is what I am doing with Twenty Somethings. This is the show you can pick up from anywhere and escape for 30 mins.
It's relatable and even when it's not you can connect with the characters and root for them. Now, how are we different from Friends? Well, Twenty Somethings is specific to the 2020s era. Typically, when this era is depicted it's... well... cringey and tasteless. There are times where that may be appropriate, but there is a lot more to being a Twenty Something as a Gen-Zer than dancing on TikTok — it's not that easy.
Believe it or not, I think we have the same struggles as the twenty-somethings did before us and will after us. This time in your life is tough, and what I am doing is putting those relatable struggles within the context of 2026. We are bringing short-form TV to 2026, which ultimately will lead to a long-term cultural show that generations can enjoy, just as it has before.
Twenty Somethings is actively being shopped to studios and brand partners who want to do more than advertise — they want to own a piece of the culture.
This show was built for brand integration from day one. Not product placement. Not a banner ad. Your brand woven into the narrative, the characters, and the world of the show — so organically that audiences embrace it rather than skip it.
The opportunity is to become part of a show that is built to last. A comfort show for a generation that doesn't watch commercials, doesn't trust traditional advertising, and will follow a brand they believe in anywhere.
Shot in dual format
Horizontal for streaming. Vertical for social. Built to live everywhere your audience does.
Organic integration
Brands become part of the story — not an interruption to it. Audiences don't skip what they love.
Gen Z audience
Built for the generation that is hardest to reach and most valuable to own.
Influencer network
Existing partnerships with influencers already embedded in the show's world.